Omar Sosa Afri-Lectric Sextet | Osher Marin Jewish Community Center

Omar Sosa Afri-Lectric Sextet

Sun, November 3, 2013 7:00 pm

Fusing a wide range of jazz and world music elements with native Afro-Cuban roots.

Tickets: $20 - $30 • Reserved cabaret & theater seating


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Omar Sosa 

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Omar Sosa Afri-Lectric Sextet


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Six-time GRAMMY-nominated Cuban composer and pianist Omar Sosa, fuses a wide range of jazz and world music elements, with his native Afro-Cuban roots to create a fresh and original urban sound – all with a Latin jazz heart.  Sosa embodies the expansive outlook of a visionary artist, working ceaselessly to craft and project a unique, cosmopolitan voice. 

Omar will be playing material from his new CD, "EGGUN," which is a tribute to Miles Davis’ seminal recording, "Kind Of Blue."  

Omar Sosa (Cuba)                   Piano, Fender Rhodes

Marque Gilmore (U.S.A.)           Drums

Childo Tomas (Mozambique)    Electric Bass

Joo Kraus (Germany)               Trumpet, Flugelhorn

Leandro Saint-Hill (Cuba)        Alto Saxophone, Flute

Peter Apfelbaum (U.S.A.)         Tenor Saxophone

Inventive jazz from a music legend
Doors Open: 6:30pm
Limited reserved table seating available
Concessions inc. Beer/Wine/Coffee/Tea avail


General Adminssion Adv: $20 mbr/$22 public Day of: $25

Reserved Seating
(at cabaret table)
Adv: $25 mbr/$28 public Day of: $30

VIP Seating
(at caberet table)
Adv: $30 mbr/$32 public Day of: $35


Purchase Tickets in advance - at the Center - for best pricing


EGGUN: The Afri-Lectric Experience began as an Omar Sosa commission from the Barcelona Jazz Festival in 2009. The assignment: to compose and produce a tribute performance to Miles Davis' classic recording, Kind Of Blue, on the occasion of its 50th anniversary. Inspired by various musical elements and motifs from Kind Of Blue, Omar wrote a suite of music, honoring the spirit of freedom in Davis’ seminal work.

Featuring trumpet and two saxophones, Eggun provides a medium for musical elements from Africa to shape and develop the music. The resulting jazz textures are further enhanced by the subtle and expressive use of electronic elements. At the heart of the recording, is the spirit of Mother Africa.

Eggun, in the West African spiritual practice of Ifá and its various expressions throughout the African Diaspora, are the spirits of those who have gone before us, both in our immediate families and those who serve as our spiritual guides.


Cuban composer and pianist Omar Sosa, is one of the most versatile jazz artists on the scene today.  Omar Sosa's musical trajectory has taken him from Camagüey and Havana, to touring in Angola, the Congo, Ethiopia and Nicaragua in the 1980s; to a sojourn in the African-descent communities of Ecuador in the early 1990s; to an extended presence on the San Francisco Bay Area Latin jazz scene; to his current engagement with artists from France, Cuba, Brazil and several North, West and East African nations. His career embodies the expansive outlook of a visionary artist who has taken Monk's uncompromising spirit to heart, while working ceaselessly to craft and project a unique, cosmopolitan voice. 

Mr. Sosa received a lifetime achievement award from the Smithsonian Associates in Washington, DC in 2003 for his contribution to the development of Latin jazz in the United States.  Over the years, Omar has been nominated six times for a GRAMMY and twice for the BBC Radio 3 World Music Awards.  In 2003, he received the Afro-Caribbean Jazz Album of the Year Award from the Jazz Journalists Association in NYC, for his recording Sentir; and a nomination from the Jazz Journalists Association for Latin Jazz Album of the Year in 2005, for his recording Mulatos, featuring Paquito D’Rivera.  In 2008, Omar Sosa was commissioned by the Yerba Buena Center for the Arts in San Francisco and the Oakland East Bay Symphony, to compose a major work for symphony orchestra (From Our Mother), supported by a grant from the Rockefeller Foundation.  In 2009, Omar was invited by the city of Girona, Spain and the Festival de Músicas Religiosas y del Mundo de Girona, to write another work for symphony orchestra (Oda Africana).  Also in 2009, the Barcelona Jazz Festival commissioned a tribute to Miles Davis’ Kind Of Blue recording, featuring Afro-Cuban interpretations of the seminal Davis work on the occasion of its 50th anniversary.  The compositions from this Kind Of Blue tribute, form the basis of Omar’s new CD, Eggun, released in February 2013, with his new band, The Afri-Lectric Experience, featuring Joo Kraus on trumpet, Peter Apfelbaum on tenor saxophone and Leandro Saint-Hill on alto saxophone.  Special guests include Lionel Loueke and Marvin Sewell on guitars and Pedro Martinez, John Santos and Gustavo Ovalles on percussion.

Omar’s CD release with the NDR Bigband, Ceremony, received an ECHO Jazz Award in 2011 for Big Band Album of the Year. 

In January 2012, Omar collaborated with celebrated Italian trumpet and flugelhorn player, Paolo Fresu, on the release of Alma.  The CD features guest cello contributions on four tracks by the masterful Brazilian conductor, arranger, producer, and cellist, Jaques Morelenbaum (who also did the big band arrangements for Ceremony).  Also in 2012, Mr. Sosa served as president of the jury for the Golden Jazz Trophy Awards in Arras, France.

Mr. Sosa was born in Camagüey, Cuba in 1965.  He moved to Havana in 1980 to continue his music studies at the prestigious Escuela Nacional de Música, finishing his formal training at the Instituto Superior de Arte in 1983.  Among his influences, Omar cites traditional Afro-Cuban music, European classical composers (including Chopin, Bartok, and Satie), Monk, Coltrane, Parker, Oscar Peterson, Herbie Hancock, Chick Corea, Keith Jarrett, Chucho Valdés, and the pioneering Cuban jazz group Irakere.